Tina Farris, The Roots’ tour manager for 21 years, reflects on her extensive career in the music industry — one that started almost entirely by accident.

For musician William Cashion, experimentation and a “subtractive method” are essential in his solo work and in Future Islands’ latest album.

Suzy Exposito is a graphic novelist, activist, and Latin music editor at Rolling Stone. And she’s just made history.

Nate Sloan and Charlie Harding, hosts of the podcast “Switched on Pop,” had on-and-off relationships with music. Now, they’re experts on pop and they want to help you become one too.

What does it take to get the perfect song into a movie? Just ask music supervisor Laura Katz.

Lighting and production designer Rob Sinclair went from sweeping floors to crafting larger-than-life concert experiences.

As a Music Curator and Editorial Producer of BBC Sounds, Rob Khan is behind a new music phenomenon: The music mix.

Heather Hawke couldn’t find her footing for years. Now, she’s right at home in the music industry.

Essayist, poet, and critic Hanif Abdurraqib shares his unique writing process and what he’s got planned for the near future.

Wonderly’s Jim Brunberg and Ben Landsverk have perfected the art of composing soundtracks for podcasts and movies.

After releasing their first album to critical acclaim, The Beths are taking New Zealand along for the ride.

Dan Black and Jessica Seamans, the artists behind Landland, share the inner workings behind their music print company.